![]() Our perception of timbre relies on two key physical characteristics of sound: frequency spectrum and envelope. Since words can only do so much to describe timbre, in this article, we will rely on visual aid from Insight 2’s spectrogram-a tool that shows us what sound looks like-to get a better understanding of timbre, how it works, and how it can be used to improve the music we make. It’s a catchall category for the features of sound that are not pitch, loudness, duration, or spatial location, and it helps us judge whether what we’re listening to is a piano, flute, or organ. Timbre refers to the character, texture, and colour of a sound that defines it. ![]() Some of these are pretty straightforward, like pitch and loudness, while others are not as easily pinned down by mathematical equation or note names. ![]() Whether we’re at a concert or listening over headphones, we rely on a series of musical factors to distinguish the instruments we’re hearing and whether they are electronic, acoustic, or human. ![]()
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